Teaching a child to write is much
more than introducing letters and words: it is opening a door to imagination,
giving wings to expression, and strengthening autonomy. Writing is an act of
freedom. And when this skill is cultivated with affection, creativity, and
method, it becomes one of the strongest pillars of cognitive and emotional
development in childhood. According to recent studies from Harvard, Stanford,
and the University of São Paulo (USP), learning to write is deeply connected to
sensory experiences, body movement, emotional bonds, and creative
stimulation—precisely the principles that guide the so-called “Pedagogies of
Creativity and Autonomy” (PCA), developed by Antônio Carlos dos Santos.
Inspired by his
experience with children in various social contexts, Santos created three
practical methodologies that help parents and educators stimulate writing from
the earliest years of life: TBMB (Teatro de Bonecos Mané Beiçudo), MAT
(Mindset, Action, and Theater), and ThM (Theater Movement). These approaches
combine playfulness with cognition, theater with psychology, and place the child
as the protagonist of their own learning. From these methodologies—supported by
neuroscience and child psychology—emerge ten simple and highly effective
strategies for teaching children how to write.
The first strategy is
to create a “writing environment” at home and in school. Children need to be
surrounded by words, letters, colorful posters, children’s books, and open
notebooks. A cozy corner with colored pencils, paper, and accessible
chalkboards can function as a permanent invitation to express themselves. MIT
studies show that children raised in linguistically and visually rich
environments are more likely to develop reading and writing skills.
The second strategy is
to use the body as a writing tool. The ThM (Theater Movement) methodology
suggests that before children write with their hands, they should write with
their bodies: form letters with their arms, draw words in the air, step on
letters marked on the floor. Bodily movement activates brain areas related to
motor memory and strengthens neural connections that facilitate the learning of
writing.
The third strategy
involves using storytelling with puppets. TBMB (Teatro de Bonecos Mané Beiçudo)
creates a magical world where puppets tell, read, and write stories with the
children. Narrative, when mediated by charismatic and affectionate characters,
reduces anxiety and increases motivation. Young children feel safer to make
mistakes, rewrite, and express themselves more freely when affection is
involved.
The fourth tip is to
cultivate spontaneous writing from an early age. Even before they know how to
form letters correctly, children can “write” letters, notes, lists, and diaries
using drawings, symbols, and scribbles. This pre-conventional writing is the
beginning of the process. Research from Columbia University indicates that the
earlier a child is encouraged to create their own stories, the greater their
future language fluency.
The fifth strategy is
to work with emotional repetition. The MAT (Mindset, Action, and Theater)
approach encourages the use of dramatizations where children write lines,
sketch scenes, and repeat narratives in various formats. This joyful repetition
helps solidify vocabulary and sentence structures. For example, when
dramatizing the story “The boy who said no to bullying”, from Antônio Carlos
dos Santos’ children’s literature, students can write parts of the story,
change the endings, create new characters, and expand the story’s universe.
The sixth tip is to
use children’s literature as constant inspiration. Santos has an extensive body
of work for young audiences, with titles which stimulate sensitivity, poetic
language, and a love for words. Reading these books aloud and proposing writing
activities based on them is a fun and affectionate way to encourage writing.
The seventh strategy
is to value shared writing. Children learn a lot by watching adults write.
Invite them to write a letter to a friend, a thank-you note, or even a family
recipe. According to Cambridge University, children who write together with
adults develop a greater sense of co-authorship and confidence in their
writing.
The eighth tip is to
create interdisciplinary projects. A simple example is the “Emotion Journal,”
where children write or draw how they feel each day. This can be integrated
with school psychology and promotes self-awareness. In this context, writing
stops being a task and becomes an exercise in inner listening.
The ninth strategy is
to embrace mistakes as part of learning. Correct without judging, encourage
rewriting, and show that even great writers revise their texts many times. The
book “Moving Letters: The Art of Writing Well” by Santos offers
practical exercises that can be adapted for children, always focusing on
creativity and freedom of expression.
Finally, the tenth tip
is to celebrate writing. Host exhibitions of children's texts, create poetry
walls, and promote children's readings or story events. When writing is
publicly valued, it becomes a source of pride rather than an obligation. This
motivates children to write more—and better.
Teaching a child to
write is, ultimately, teaching them to listen to themselves, understand others,
and build possible worlds. The methodologies of Antônio Carlos dos Santos show
us that with affection, creativity, and science, this process can become an
unforgettable experience. May parents, teachers, and educators be inspired by
these strategies and give children the right to express themselves with words,
with their bodies, with their souls—and with the freedom that only writing can
provide.
Access the books by Antônio Carlos dos Santos on amazon.com or amazon.com.br
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