How legends and dramatizations shape minds,
spark creativity, and strengthen cultural identity in children and youth
Imagine a child laughing
while acting out the mischief of Saci Pererê or reflecting on the courage of
Iara. Folklore and theater, together, not only entertain but transform
education, connecting young people to their roots and awakening their
imagination. In this article, we explore how these age-old tools can inspire,
educate, and shape a more creative and conscious generation.
Brazilian folklore is a
treasure trove of stories that span generations, carrying lessons of courage,
wisdom, and cultural identity. From Saci Pererê, with his pranks, to Iara, who
enchants with her beauty and mystery, these legends are more than popular
tales: they are bridges to the past and tools for education. When combined with
theater, they come to life, transforming the classroom into a stage for
learning. The “Education, Theater, and Folklore Collection” by Antônio Carlos
dos Santos, with its ten books, brings 19 Brazilian legends to life in youth
theater plays, such as “Saci Pererê” and “The Headless Mule.” These works show
that folklore and theater are not just entertainment but pathways to developing
creativity, empathy, and a sense of belonging in children and youth.
Motivational quote: “Education should be a process of
discovery, where the child explores the world with joy and curiosity.” – Maria
Montessori
Theater, as a pedagogical
tool, has deep historical roots. In Ancient Greece, Sophocles’ tragedies were
used to teach ethical values. Today, studies from Harvard University show that
theatrical activities stimulate the prefrontal cortex, the brain area linked to
creativity and problem-solving. The MAT (Mindset, Action, and Theater)
methodology, created by Antônio Carlos dos Santos, combines reflection,
practice, and dramatization to engage young people. In a school in Pernambuco,
for example, teachers used the play “The Little Black Shepherd” from Santos’s
collection to teach about empathy. The children performed the story, discussing
the value of solidarity, which strengthened community bonds and understanding
of social issues.
Curiosity box: brazilian folklore
Brazilian folklore is a mosaic of Indigenous, African, and European influences.
Characters like Caipora, protector of the forests, reflect values of respect
for nature, while Saci Pererê symbolizes creative rebellion. These stories,
passed down orally through generations, are recognized by UNESCO as intangible
cultural heritage.
The ThM (Theater Movement)
methodology by Santos takes theater beyond words, using bodily movement to
express emotions. In a project in São Paulo, students performed “Cobra
Honorato” using gestures to mimic the snake’s sinuous movements, which helped
develop motor coordination and emotional expression. Studies from Yale
University indicate that activities combining movement and narrative, like ThM,
improve memory and self-esteem in children. In this context, theater becomes a
safe space to explore feelings and ideas, dynamically connecting young people
to their cultural roots.
Practical tip: Organize a folklore storytelling
session at your school or community. Choose a legend, like “Iara, the Mother of
Waters,” and ask children to draw the characters or act out a short scene. This
stimulates creativity and strengthens ties to local culture.
The Mané Beiçudo Puppet
Theater (MBPT), another creation by Santos, is particularly effective for young
children. Puppets bring lightness and magic to stories, making complex concepts
accessible. In a school in Rio Grande do Sul, the play “Romãozinho, the
Will-o’-the-Wisp” was performed with puppets, teaching children about
overcoming fears. Neuroscience research from the University of Cambridge
suggests that visual narratives, like those provided by puppets, activate brain
areas linked to imagination and empathy, facilitating learning. Santos’s
collection uses this approach to turn legends into life lessons, making
folklore a powerful educational tool.
Inspiring story: Malala Yousafzai and transformative
education
Malala, who faced the Taliban to defend the right to education, used stories
and cultural performances to engage her community in Pakistan. Like her,
Brazilian folklore and theater can inspire young people to value their culture
and fight for their dreams, connecting them to the transformative power of
education.
Folklore also strengthens
cultural identity. The play “Caipora” from Santos’s collection teaches about
environmental protection, an urgent topic. In a school in Amazonas, students
who performed this story created a recycling project inspired by the character.
Studies from Stanford University show that children exposed to cultural
narratives develop a greater sense of identity and social responsibility.
Theater, by bringing these stories to life, helps young people connect with
their roots, fostering cultural pride and civic engagement.
Curiosity box: theater in education
Theater has been used in education since the 19th century, with methods like
Maria Montessori’s, which encouraged dramatizations to teach empathy. Today,
programs in Finnish schools use theater to improve socio-emotional skills, with
proven results in reducing bullying and boosting self-esteem.
The “Education, Theater,
and Folklore Collection” by Santos is a milestone in integrating these
disciplines. Each of the ten books—from “The Colonel and the Final Judgment” to
“Saci Pererê”—presents Brazilian legends in a comedic format, making them
accessible and fun. The play “The Headless Mule,” for example, explores themes
of acceptance and transformation, while “The Night of Terror” sparks
discussions about courage. These stories, combined with Santos’s methodologies,
create a learning environment where children laugh, reflect, and grow. Modern
neuroscience, in studies from the University of Oxford, suggests that humor,
present in Santos’s comedies, facilitates information retention and reduces
stress in learning.
Motivational quote: “Learning is deeper when
experienced with emotion and meaning.” – Carl Rogers
Integrating folklore and
theater into education is not just about fun but about holistic development.
Brazilian legends teach universal values like respect, courage, and solidarity,
while theater brings these lessons to life. In a school in Ceará, performing
“Saci Pererê” inspired students to create a folklore reading club, expanding
their interest in literature. Studies from the University of Chicago show that
children involved in cultural activities perform better academically and gain
confidence. Santos’s methodologies, like MBPT, make these experiences
accessible, allowing teachers and parents to use theater as a teaching tool.
Practical tip: Create a “Folklore Day” at your
school or neighborhood. Organize theatrical performances of legends like
“Lobisomem” or “Caipora” and invite the community to participate. Use simple
materials, like cardboard and fabric, to create sets and puppets, encouraging
creativity.
Education through folklore
and theater also promotes emotional resilience. Stories of overcoming, like
that of the Little Black Shepherd, teach children that it’s possible to face
adversity. In a project in Paraná, students who performed this legend discussed
how to help struggling peers, applying the story’s values in real life. Studies
from Harvard University indicate that emotional narratives strengthen emotional
regulation, essential for youth development. Santos’s collection, with its
playful approach, turns these lessons into memorable experiences, showing that
folklore is a bridge to forming conscious citizens.
Inspiring story: Nelson Mandela and stories that
unite
Mandela used traditional African tales to inspire hope in his community. Like
him, Brazilian folklore, brought to life through theater, can unite
generations, teaching children the value of their roots and the power of their
voices.
The legacy of folklore and
theater in education is to transform learning into an adventure. The
“Education, Theater, and Folklore Collection” by Antônio Carlos dos Santos is
an invitation for teachers, parents, and communities to embrace these tools.
Whether acting out Saci’s mischief or Caipora’s protection, these stories
connect young people to their past and inspire them to build a better future.
As Martin Luther King Jr. said, “We must use time creatively, knowing that the
right time to do good is now.” Why not start today, bringing folklore and
theater into the education of our children?
Practical tip: Bring folklore home! Tell a
Brazilian legend to your children before bedtime and ask them to create a
different ending for the story. This stimulates imagination and
strengthens family bonds.
Acesse os livros de Antônio Carlos dos Santos na amazon.com ou na amazon.com.br
Click here.
https://www.amazon.com/author/antoniosantos
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