sábado, 10 de maio de 2025

The secrets of continuous training in the lives of individuals and organizations


           In a world of constant transformation, where technological, social, and cultural changes accelerate daily, continuous training has ceased to be a competitive advantage and has become a vital necessity. Individuals and organizations that aim to thrive can no longer rely solely on past knowledge—they must continuously reinvent themselves. This process goes beyond technical courses and training; it demands a deep dive into the human, creative, and strategic dimensions of knowledge. In this new context, to train means to develop the mind, the body, communication, and culture—in a permanent process of learning, action, and meaning-making.

Top global universities such as Harvard, Stanford, MIT, and Oxford have increasingly invested in programs that integrate cognitive, emotional, and creative skills as pillars of lifelong education. Renowned American educator Howard Gardner, creator of the Theory of Multiple Intelligences, has long argued that intelligence is not a single block but a set of skills that can be cultivated throughout life. Thus, training expands beyond technical knowledge: it involves emotional, physical, interpersonal, and even spiritual intelligence. Companies like Google, Apple, and Natura already use integrated models of human development as an essential part of their innovation processes.

In Brazil, one of the most outstanding names in the development of integrated methodologies for continuous training is Antônio Carlos dos Santos, a professor and author who has combined neuroscience, theater, and strategic planning to create transformative tools for individuals and organizations. One of his most impactful methodologies is Quasar K+ Strategic Planning, which offers a training model based on four pillars: self-knowledge, organizational culture, creative innovation, and goal-setting with purpose. This model emphasizes that planning should not be a cold and bureaucratic activity, but a living, sensitive action connected to the values and talents of each individual and team.

Another innovative method developed by Antônio Carlos is MAT – Mindset, Action, and Theater, which uses theatrical techniques and philosophical reflection to develop participants’ proactive mindset. The MAT approach is simple yet profound: change the way we think (mindset), transform thought into attitude (action), and use theater as a laboratory of experience. Through theatrical dynamics, participants learn to deal with fear, to improvise, to communicate clearly, and to work in teams—essential skills for any 21st-century leader or professional. Studies from Yale University show that the use of theater in corporate training improves content retention by up to 40% and strengthens interpersonal bonds.

Complementing these approaches, the ThM – Theater Movement method develops bodily and emotional expression as learning tools. Inspired by studies on neuroplasticity and the pedagogy of movement, ThM argues that the body is a "great brain" that also learns and communicates. Movements, breathing, and gestures become part of the training process, activating brain areas related to empathy, creativity, and focus. In practical sessions using this method, corporate teams have achieved remarkable results in stress reduction, increased cohesion, and improved collective performance.

But perhaps one of Antônio Carlos' most unique contributions is TBMB – Teatro de Bonecos Mané Beiçudo, a playful and critical methodology that uses the language of puppets to develop skills in audiences of all ages. By embodying caricatured characters, such as Mané Beiçudo – a smart, acidic and sensitive puppet from the Northeast – participants feel free to express their anxieties, ideas and solutions in a symbolic and fun way. This methodology, which has already been applied in schools, NGOs and companies, has proven to be especially effective in the training of children, young people and community and corporate leaders. According to research from the University of São Paulo, the use of symbolic and humorous narratives in training increases the understanding and retention of ethical and social values.

This legacy is also reflected in Antônio Carlos' literary work, such as “Strategic Communication: The Art of Speaking Well”, which teaches leaders to communicate with clarity, empathy, and impact. His book “Breathing, Voice, and Diction” provides practical exercises for developing vocal and physical presence—skills often overlooked but fundamental in leadership contexts. His work “Moving Letters: The Art of Writing Well” shows how writing can be a powerful tool for planning, persuasion, and building inspiring narratives. All of these books are based on studies in communication psychology, critical pedagogy, and applied linguistics, offering practical resources for those seeking to enhance their skills.

Therefore, continuous training is not just a market requirement—it is a commitment to personal growth, organizational transformation, and the strengthening of citizenship. Lifelong learning must be seen as both a personal and collective journey, involving strategic planning, cultural sensitivity, and educational creativity. When we combine theory, practice, and art, we develop more complete professionals, more humane leaders, and more resilient organizations.

Concrete examples abound. The Albert Einstein Israeli Hospital, for example, has incorporated storytelling practices and theater workshops to humanize patient care. Natura, in its innovation centers, uses meditation, dance, and dialogue circles as training tools. In the public sector, programs like Profuncionário, in partnership with federal universities, have adopted methodologies like Quasar K+ to train educators and managers with a broader and more strategic vision of their roles. These experiences reveal that, when well-executed, training not only improves performance indicators but also elevates the sense of belonging and purpose.

Finally, it’s essential to remember that continuous learning begins within each of us. It is fueled by curiosity, listening, openness to new ideas, and a willingness to grow. Organizations that foster a culture of learning tend to grow faster, retain talent, and drive innovation. Individuals who engage in lifelong learning tend to live with more autonomy, creativity, and fulfillment. As theater teaches us, every scene is a learning opportunity—and in the grand play of life, we are simultaneously the authors, directors, and actors. May we have the courage and inspiration to prepare our inner and organizational stages for the great performance of transformation.

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