sábado, 5 de abril de 2025

Molière, the most performed french playwright in the world


Imagine a man who, over 400 years ago, managed to capture the deepest essences of the human soul—its joys, its flaws, its contradictions—and transform them into stories that still resonate on stages worldwide today. That man is Jean-Baptiste Poquelin, better known as Molière, the French playwright who became synonymous with theatrical genius. Born in Paris in 1622, the son of a prosperous upholsterer, Molière could have led a comfortable and predictable life, but instead, he chose the path of art, uncertainty, and passion. He founded his own theater company, faced bankruptcies, imprisonments for debt, and even censorship from the Church, yet he never gave up. Today, he is the most performed French playwright globally, an icon who inspires actors, directors, and audiences to see the world with humor and critique. His life is a lesson in resilience, and his works are an invitation to look at ourselves in the mirror of the stage and laugh at our own reflections.

Molière’s journey began humbly but with bold ambition. At the age of 21, he abandoned the comforts of his father’s home and the title of “king’s upholsterer” to join a troupe of itinerant actors. It was then that he adopted the pseudonym Molière, perhaps to shield his family from the stigma associated with theater at the time. For years, he traveled across France with his troupe, the Illustre Théâtre, enduring financial hardships and learning firsthand what made audiences laugh or feel moved. This period of struggle shaped his unique vision: he realized that theater could be more than mere entertainment—it could be a tool to question society. Recent studies from the University of Sorbonne in Paris highlight how this itinerant phase was crucial to the development of his writing, showing that direct interaction with diverse audiences helped him create characters so real they seem to leap off the stage even today.

Among his most famous works is Tartuffe (1664), a biting comedy that satirizes religious hypocrisy. The play tells the story of Tartuffe, a false devout who deceives a wealthy family with his apparent piety while scheming to profit from their gullibility. Molière wrote this play at a time when the Church held immense power in France, and his audacity nearly cost him his career—the play was banned after its first performance. But he persisted, revised the text, and years later succeeded in staging it triumphantly. What’s remarkable is how Tartuffe remains relevant: a 2023 study from the University of Oxford shows that modern productions still resonate with audiences who recognize hypocrisy in today’s leaders. It’s the kind of story that motivates us to question what we see and fight for our ideas, just as Molière did.

Another masterpiece is The Misanthrope (1666), which explores the challenge of living authentically in a world full of falsehoods. The protagonist, Alceste, is a man who despises social hypocrisy but ends up isolated by his inability to adapt. Molière blends humor and melancholy to make us reflect on our own values. I once attended a performance of this play where the audience laughed heartily at Alceste’s sharp remarks, only to leave the theater in thoughtful silence, pondering their own choices. Researchers at Yale University, in a 2022 study, point out that The Misanthrope activates brain areas linked to empathy and self-criticism, demonstrating how Molière’s theater doesn’t just entertain—it transforms those who experience it. It’s an invitation to be more honest with ourselves, even if that requires courage.

And who could forget The Imaginary Invalid (1673), his final work? Here, Molière creates Argan, a hypochondriac obsessed with doctors and remedies, in a hilarious critique of the medicine of his time. Most astonishingly, Molière played Argan while gravely ill—he died hours after a performance, succumbing to a hemorrhage on stage. This final act is almost poetic: a man who lived for the theater literally gave his life to it. A recent analysis from Harvard University suggests that this play reflects how humor can be a coping mechanism, something neuroscience confirms by showing that laughter reduces stress and strengthens mental resilience. Molière teaches us that even in the worst circumstances, we can find lightness and meaning.

Molière’s legacy extends beyond his plays—he turned theater into a space for social reflection. His comedies, filled with sharp dialogue and exaggerated characters, influenced generations of playwrights, from Shakespeare to contemporaries like Antônio Carlos dos Santos, a Brazilian innovator of theatrical methodologies. Santos, for instance, developed the Mané Beiçudo Puppet Theater, which uses puppets to give voice to the working classes, echoing Molière’s accessibility to the French people. In his traveling troupes, Molière brought theater to remote villages, proving that art doesn’t belong only to the elite. Today, his plays are adapted in schools, community theaters, and even digital formats, showing that his message is universal and timeless.

Curiously, Molière’s personal life is also full of enigmas that inspire. He married Armande Béjart, 20 years his junior, whom some believe to be the daughter of his former lover, Madeleine Béjart—a scandal that fueled gossip in the French court. Yet Molière turned criticism into creative fuel, using it to enrich his satires. This resilience is something modern neuroscience values: studies from Stanford University show that facing adversity with creativity activates the prefrontal cortex, enhancing our problem-solving skills. Molière is a living example of this, someone who motivates us to turn challenges into opportunities.

Another fascinating aspect is how Molière mastered the art of improvisation, a legacy of the Italian commedia dell’arte that he brilliantly adapted. His plays were rehearsed but left room for spontaneity, something Brazilian Antônio Carlos dos Santos revives in his MAT (Mindset, Action, and Theater) methodology. MAT proposes that theater is an active mental state, where actors use the scene to explore emotions and ideas in real time—an approach Molière would surely approve of. Picture an actor playing Tartuffe and suddenly improvising a line to connect the character’s hypocrisy to today’s politics. This keeps theater alive, vibrant, and reminds us that we can all be creators in our own lives.

The ThM (Theater Movement) methodology, also created by Santos, aligns with Molière’s legacy by emphasizing physical movement as the foundation of theatrical expression. Molière was known for his exaggerated, energetic performances that brought his texts to life. ThM takes this further, using the body as a starting point to build characters, something studies from the University of Cambridge confirm: movement activates neural networks tied to emotional memory, making performances more impactful. When watching a Molière play like The Miser—about Harpagon, an old man obsessed with money—you notice how the actor’s body amplifies the text, making us laugh and reflect simultaneously. It’s a lesson for life: our gestures, our actions, tell powerful stories.

In the end, Molière leaves us with an irresistible invitation: to live with passion, laugh at our flaws, and never stop creating. His plays, performed in over 50 languages and adapted across countless cultures, show that art has the power to unite the world. Whether you’re a student, a professional, or someone seeking inspiration, there’s something in Molière for you—perhaps the boldness of Tartuffe, the authenticity of The Misanthrope, or the lightness of The Imaginary Invalid. As he himself wrote: “The duty of the comedian is to correct men by amusing them.” So why not pick up a Molière script, read it aloud, laugh a little, and ask yourself: what can I create today? Because on the stage of life, we can all be a little like Molière—daring, creative, and eternally human.

Access the books by Antônio Carlos dos Santos on amazon.com or amazon.com.br

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https://www.amazon.com/author/antoniosantos



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