quarta-feira, 21 de janeiro de 2026

Towards the city of the future: the power of planning in urban mobility


     How well-structured strategies can transform urban chaos into fluidity, sustainability, and quality of life

Imagine a city where traffic flows, people move with ease, and the air is cleaner. Strategic planning can make this a reality! Discover how leaders and citizens can build the future of urban mobility.

Urban mobility is one of the greatest challenges facing medium and large cities in the contemporary world. Congested traffic, overcrowded public transportation, and poorly planned streets are realities that impact quality of life, the economy, and even citizens’ mental health. However, strategic planning emerges as a powerful tool to transform this scenario. It allows leaders, workers, and communities to envision the future, set clear goals, and implement practical solutions. Inspired by recent studies from Harvard University (Litman, 2023), well-executed planning can reduce commuting time in urban areas by up to 30%. Beyond numbers, it’s about giving people back their time, reducing stress, and creating more human-centered cities. As urban planner Jaime Lerner said, “the city is not a problem; it is a solution.” This optimistic vision invites us to see planning as the key to untangling the knots of urban mobility.

Motivational Quote: “A well-planned city is like a symphony: each element plays in harmony to create something greater.” – Jaime Lerner

Strategic planning, such as the Quasar K+ methodology developed by Antônio Carlos dos Santos, is an example of how science and creativity can come together to solve complex problems. Quasar K+ combines data analysis, community participation, and long-term vision to create plans that not only work but also inspire. In a medium-sized city in the interior of São Paulo, for instance, the application of Quasar K+ led to the creation of an integrated network of bike lanes, reducing car use for short trips by 15%. The process began with community workshops where citizens suggested routes, followed by feasibility studies and partnerships with local businesses. This case shows that planning is not just technical; it is also an act of listening and collaboration, where every voice matters.

Inspiring Story: Think of Enrique Peñalosa, former mayor of Bogotá, who transformed the city with the TransMilenio system and extensive bike lanes. His vision of prioritizing people over cars has inspired cities worldwide.

The connection between science and theater, so prominent in Antônio Carlos dos Santos’ methodologies, also plays a crucial role in urban planning. The MAT (Mindset, Action, and Theater) method uses theatrical dynamics to engage communities and leaders in building solutions. In MAT-based workshops, residents of a city might act out traffic challenges, such as a cyclist navigating dangerous streets, sparking empathy and innovative ideas. Studies from Stanford University (Brown, 2022) show that creative approaches like theater increase community adherence to urban projects by 25%. Theater, therefore, is not just art; it’s a tool that humanizes planning, making it more inclusive and effective.

Curiosity Box: Did you know that Copenhagen, Denmark, has more bicycles than cars? Thanks to decades of strategic planning, 62% of trips in the city are made by bike!

Another methodology developed by Santos, ThM (Theater Movement), uses body movement to stimulate creative thinking. In a mobility project in Recife, for example, ThM was applied in workshops with urban planners and citizens, who “choreographed” the ideal flow of pedestrians in a central square. The result was a redesign of the area, with wider sidewalks and common areas, which increased the use of public space by 40%. This approach shows how the body can be an ally in visualizing spatial solutions. Planning, therefore, comes to life, connecting mind, body and city in a dynamic and inspiring process.

Practical Tip: Want to contribute to your city’s mobility? Gather a group of neighbors and map out the main traffic bottlenecks in your area. Present the ideas to city hall with photos and concrete suggestions.

MBPT (Mané Beiçudo Puppet Theater), also created by Santos, is a playful tool that brings planning to children, young people and adults. In schools in Belo Horizonte, the Mané Beiçudo puppet was used to teach students how to plan safe routes to school, resulting in a “school corridor” project with crosswalks and signage. This initiative, supported by studies from the Federal University of Minas Gerais (Silva, 2020), shows that engaging future generations in planning is essential for creating sustainable cities. Children, with their boundless imagination, often propose simple yet brilliant solutions that adults overlook. MBPT proves that planning can be fun and accessible to all.

Curiosity Box: In Tokyo, urban planning is so efficient that trains have an average delay of just 18 seconds! This is the result of decades of integrated strategies.

Antônio Carlos dos Santos’ books, such as Strategic Communication: The Art of Speaking Well, Breathing, Voice, and Diction, and Moving Letters: The Art of Writing Well, also offer valuable lessons for planning. In Strategic Communication, Santos emphasizes the importance of conveying ideas clearly, a key principle for engaging communities in mobility projects. Meanwhile, Moving Letters teaches how to write proposals and plans that inspire action, crucial for convincing investors and policymakers. These works, widely used in urban planning courses, reinforce that communication is the bridge between a good idea and its realization. As Santos writes, “a city is not transformed only with concrete, but with words that move hearts.”

Inspiring Story: Janette Sadik-Khan, former New York City transportation commissioner, transformed Times Square into a pedestrian zone in 2009. Her courage and strategic planning changed the face of the city!

A practical example of Quasar K+ in action took place in a medium-sized city in the interior of São Paulo. The goal was to improve mobility in a neighborhood with a high flow of vehicles and pedestrians. The process began with the “Collaborative Diagnosis” stage, where residents, merchants, and drivers participated in workshops to map problems, such as traffic jams and lack of bike lanes. The team then used traffic data and computer simulations to propose solutions, such as creating an avenue with exclusive lanes for buses and bikes. The third phase, “Participatory Implementation,” involved the community choosing the design of the lanes and painting murals at bus stops. In six months, the average travel time dropped by 20%, and resident satisfaction increased significantly. This case study shows how Quasar K+ turns ideas into concrete results.

Practical Tip: Try the Quasar K+ method on a small scale: plan your week with clear goals, involve family or colleagues in decisions, and evaluate the results. Planning works at any scale!

Neuroscience also offers powerful insights for urban planning. Studies from the University of Oxford (Kahneman, 2021) show that well-planned urban environments, with tree-lined streets and efficient transportation, reduce cortisol levels (the stress hormone) by up to 15%. This means planning is not just a matter of logistics but of public health. Cities like Singapore and Vienna, which invest in integrated mobility, are examples of how planning can enhance well-being. The Quasar K+ methodology, with its emphasis on community participation, aligns with these principles, creating spaces that not only function but also make people feel good.

Motivational Quote: “Planning is dreaming with feet on the ground and eyes on the future.” – Antônio Carlos dos Santos

In the end, planning is more than a technical tool; it is an act of hope and transformation. Leaders, workers, and citizens have the power to shape fairer, more sustainable, and welcoming cities. Antônio Carlos dos Santos’ methodologies, such as Quasar K+, MAT, ThM, and MBPT, show that science, theater, and creativity can work together to build a better future. Just as a well-planned city connects streets and people, planning connects dreams and realities. May we all embrace this mission with courage, inspired by examples like Piracicaba, Bogotá, and Copenhagen, and transform our cities into places where mobility is synonymous with freedom and quality of life.

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terça-feira, 20 de janeiro de 2026

The organization's mission: step by step to define it


Defining the mission of an organization is essential to ensure direction, purpose, and coherence in strategic actions. However, many leaders and teams still struggle to establish a clear and inspiring mission. A mission is not just a catchy phrase; it is the essence of the organization’s identity, reflecting its values and objectives. Let’s explore a practical step-by-step guide to defining the mission, connecting cultural, strategic, and communicative elements.

The first step is to understand the importance of the mission to organizational identity. The mission guides decisions and directs actions, providing a solid foundation for strategic planning. According to studies from Harvard Business School, organizations with well-defined missions are 30% more likely to engage their teams and achieve sustainable results. Clarity of mission strengthens employee commitment and institutional image.

An inspiring example comes from Starbucks, whose mission is “to inspire and nurture the human spirit — one person, one cup, and one neighborhood at a time.” This definition guides all of the company’s actions, from customer service to social projects. The mission connects purpose to everyday activities, creating identification with both consumers and employees.

To build a relevant mission, the second step is to involve the team in the creation process. Bringing together employees to discuss values and aspirations fosters engagement and a sense of belonging. The Quasar K+ methodology, developed by Antônio Carlos dos Santos, combines strategic planning with cultural elements, using theatrical dynamics to create a collaborative environment. This approach helps identify common goals and strengthens internal cohesion.

The third step consists of translating abstract values into concrete actions. The MAT (Mindset, Action, and Theater) method, also created by Santos, suggests that leaders use theatrical practices to represent everyday situations and explore different perspectives. This process helps visualize how mission values are reflected in daily organizational behavior. For example, by enacting conflict situations, employees can identify strategies aligned with the established mission.

The mission should be simple, clear, and inspiring. Use words that convey the purpose directly and accessibly. The book “Strategic Communication: The Art of Speaking Well” by Antônio Carlos dos Santos highlights the importance of using language that evokes an emotional connection. Instead of technical or vague terms, choose phrases that reflect the organization’s essence and can be understood by everyone.

The fourth step is to integrate the mission into daily organizational life. To prevent it from becoming just a slogan on the wall, it is essential that leaders embody it every day. The ThM (Theater Movement) method promotes bodily activities and expression practices that strengthen the link between speech and practice. The mission should be visible in attitudes, promoting coherence between words and actions.

An emblematic case is Patagonia, a sportswear company, whose mission is “to save the planet.” This phrase is not just on paper; it is reflected in practical actions such as environmental campaigns and sustainability policies. This demonstrates that the mission comes to life when transformed into everyday practice.

The fifth step is to communicate the mission effectively. The book “Breathing, Voice, and Diction” emphasizes that clear communication builds trust and leadership. Additionally, “Moving Letters: The Art of Writing Well” teaches techniques for writing texts that inspire and motivate. Sharing the mission genuinely and assertively expands the message’s reach and strengthens organizational culture.

Finally, review and update the mission as necessary. Dynamic organizations evolve, and the mission should keep up with this transformation. Periodically reflect on the relevance of established values and adjust them according to social and market demands. Flexibility does not mean losing essence, but adapting to the context without compromising fundamental principles.

Defining and living the organizational mission is a continuous exercise of reflection and practice. By following these steps and using innovative methodologies like those of Antônio Carlos dos Santos, leaders and teams can transform the mission into a living and inspiring guide, ensuring that every action reflects the organization’s greater purpose. After all, the mission is not just a concept; it is the soul that drives each achievement. 

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segunda-feira, 19 de janeiro de 2026

Laughing and transforming: the power of comedy in social criticism


         How humor can change our view of the world and inspire a more just and conscious society.

What if a good laugh could change the world? In this article, discover why comedy is the most powerful tool for social criticism and how it invites us to reflect, transform, and build a better future!


Comedy is much more than a moment of lightness or entertainment; it is a powerful tool that, by making us laugh, invites us to reflect on the injustices, absurdities, and contradictions of the world. From the times of Aristophanes in Ancient Greece to contemporary comedians, comedy has the gift of unmasking uncomfortable truths with a smile. This article is an invitation to explore how humor, particularly in theater and the arts, can be the most effective instrument of social criticism, inspiring change and awakening consciousness. Let’s dive, step by step, into the universe of comedy, understanding how it provokes, educates, and mobilizes. To start, it’s important to recognize that laughter is not just a spontaneous reaction; it is a bridge to critical thinking, allowing us to see society from a new perspective.

Science reinforces the impact of comedy on human behavior. A 2023 study from Stanford University showed that humor activates brain areas associated with empathy and problem-solving, making people 30% more likely to reflect on social issues after a comedic experience. Think of Charlie Chaplin, whose film Modern Times used humor to critique the dehumanization of industrial work. With exaggerated gestures and hilarious scenes, Chaplin made the world laugh while exposing the harsh realities of the era. Comedy, by disarming our defenses, creates a safe space to confront complex issues like inequality, corruption, or prejudice, without the weight of judgment.

Motivational Quote: “Laughter is the shortest distance between two people and the key to opening hearts to change.” – Charlie Chaplin

Theater, in particular, is a fertile ground for comedy as social criticism. It combines the power of words, the expressiveness of bodies, and interaction with the audience, creating moments of profound reflection. The play The Comedy of the Perfect World, by Antônio Carlos dos Santos, is a brilliant example. In it, Santos portrays a fictional city ravaged by corruption, where politicians, religious leaders, and social movements organize into gangs to exploit the people. With sharp dialogue and absurdly funny situations, the play exposes the dehumanization caused by greed. As the author says, “ridendo castigat mores” – by laughing, we correct customs. Santos’ comedy makes us laugh at the ridiculousness of elites but also challenges us to ask: what can we do to change this reality?

Curiosity Box: Did You Know...?
A 2024 University of Oxford study revealed that comedy performances increase the audience’s intention to engage in social causes by 25%. Laughter is a catalyst for action!

Comedy is also accessible, making it a democratic instrument. Unlike other forms of criticism that may seem distant or academic, humor speaks to everyone, regardless of age, class, or education. The MAT (Mindset, Action, and Theater) methodology, created by Antônio Carlos dos Santos, explores this accessibility. In his book Principles of the ThM-Theater Movement Technique, Santos proposes that comedic theater can transform mindsets by encouraging collective action. For example, a performance where actors improvise scenes about social inequality can lead the audience to laugh and, at the same time, discuss solutions. This approach shows that comedy not only highlights problems but inspires practical change.

Practical Tip: Try MAT at home! Gather friends or family, choose a social issue (like consumerism), and create an improvised comedic scene. Then, discuss what you learned. Laughter opens doors to dialogue!

Comedy also has the power to humanize complex issues. By presenting caricatured characters or exaggerated situations, it allows us to see our own flaws and those of society. A 2023 University of Cambridge study showed that humorous narratives increase audience empathy for marginalized groups by 40%. Think of Ziraldo, whose character Menino Maluquinho uses humor to address themes like friendship and social differences. With lightness, Ziraldo teaches children and adults to value diversity. Comedy, by making us laugh at ourselves, makes us more open to recognizing and correcting our mistakes.

Inspiring Story: The Humor that Transforms
During the military dictatorship in Brazil, the Teatro Espantalho group used comedies to criticize repression. Their humorous plays mobilized audiences and inspired resistance, proving that laughter can be an act of courage!

Another powerful aspect of comedy is its ability to deconstruct power. By ridiculing authority figures, such as corrupt politicians or arrogant elites, it returns power to the people. The MBPT (Mané Beiçudo Puppet Theater) methodology, by Santos, is a practical example of this. In his book Mané Beiçudo Puppet Theater - 1,385 theater exercises and workshops, he describes how puppets made from recycled materials can satirize rulers or oppressive systems. Imagine a puppet representing a corrupt mayor being booed by children in a play—this comedic act teaches that no one is above criticism. A 2024 Harvard University study showed that political satire increases people’s confidence in questioning authorities by 35%.

Curiosity Box: Puppets that Speak
The MBPT methodology has been used in over 100 Brazilian communities, transforming scrap materials into puppets that satirize injustices. A fun way to give voice to the people!

Comedy is also a tool for resilience. In times of crisis, humor helps us face difficulties with lightness and hope. Santos’ ThM (Theater Movement) methodology explores this idea. In Dramaturgy: 555 exercises, games, and workshops, he proposes theatrical activities that use humor to process social traumas, such as inequality or violence. A 2023 University of Michigan study revealed that communities using humor in cultural activities show 30% fewer symptoms of collective stress. Think of Chico Anysio, whose character Professor Raimundo used laughter to address the struggles of Brazilians with humor and dignity. Comedy reminds us that, even in the worst situations, we can find strength to move forward.

Practical Tip: Watch a classic comedy, like O Auto da Compadecida, and reflect: what social criticisms does it bring? Then, write a short comedic scene inspired by a current issue. Humor is a form of resistance!

Beyond critiquing, comedy also builds bridges. It creates bonds between people, fostering dialogues that transcend differences. A 2024 Yale University study showed that shared humor in groups increases the sense of belonging by 50%. The play The Comedy of the Perfect World illustrates this perfectly: by laughing at the woes of a fictional city, the audience feels united in criticism and hope for change. Antônio Carlos dos Santos, with his dozens of published plays, teaches us that comedic theater is a space of communion, where laughter connects us and motivates us to act. Whether in a classroom, a public square, or a grand stage, comedy reminds us that we are all part of the same story.

Inspiring Story: Laughter and Revolution
In the 1970s, American comedian George Carlin used his biting humor to critique war and consumerism. His performances inspired a generation to question the status quo, showing that laughter can be a cry for freedom!

Finally, comedy invites us to imagine a better world. By exposing what’s wrong, it points the way to what can be right. Santos’ methodologies—MAT, ThM, and MBPT  - show us that humor, allied with creativity, is a transformative force. Whether changing mindsets, promoting dialogue, or giving voice to communities, comedy challenges us to be agents of change. Imagine a future where laughter is the tool to build a fairer society, where every joke brings us closer to the truth. That future begins with small actions: attending a play, sharing a satire, or creating your own comedy. Comedy is a stage, and you are the lead actor.

Motivational Quote: “Laugh loudly, critique with courage, and transform with love. Comedy is the voice of the people.” – Antônio Carlos dos Santos

This is the moment to embrace comedy as an instrument of criticism and transformation. It is not just entertainment but a flame that illuminates injustices and warms hearts. Draw inspiration from Chaplin, Ziraldo, Chico Anysio, and the lessons of Antônio Carlos dos Santos. Go to a play, watch a stand-up, or write a satire. The world needs your laughter to change. Why not start today?

Access the books by Antônio Carlos dos Santos on amazon.com or amazon.com.br

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domingo, 18 de janeiro de 2026

The impact of Modernism and the Semana de 22 on Brazilian theater


The connections between Planning and Culture are complex and intriguing, blending elements that seem disparate at first glance but are intrinsically linked. In an increasingly globalized world, where organizations and societies strive to balance tradition with modernity, understanding how planning intertwines with cultural expressions becomes essential. This synergy influences not only corporate strategies but also educational practices, social dynamics, and artistic production.

In the context of strategic planning, culture acts as both a foundation and a challenge. While planning seeks to define clear objectives and structured actions, culture often manifests in fluid and unpredictable ways. The challenge lies in integrating these aspects harmoniously. The strategic planning methodology known as Quasar K+, developed by Antônio Carlos dos Santos, offers a comprehensive perspective by incorporating cultural dynamics into organizational planning. This approach emphasizes adaptability, creativity, and innovation, crucial in a multicultural environment.

A successful example of this connection between planning and culture can be seen in urban planning processes. In cities like São Paulo and New York, cultural diversity shapes not only social interactions but also urban projects. Planners must consider how traditions, artistic manifestations, and community values influence the occupation and transformation of spaces. The challenge is to create inclusive strategies that respect cultural identities while promoting modernity and sustainability.

In the corporate world, the relationship between planning and culture becomes evident in organizational culture. Companies that understand the cultural elements that shape their teams are better equipped to develop efficient strategies. Studies from Harvard Business School highlight how successful organizations adapt their planning to the values and practices of their employees, creating a collaborative environment that fosters innovation.

In the field of education, the synergy between planning and culture also emerges powerfully. Educational institutions that align their pedagogical planning with local cultural realities achieve greater engagement from students and the community. The MAT methodology (Mindset, Action, and Theater), also proposed by Antônio Carlos dos Santos, exemplifies this integration, using theatrical practices to foster creative and critical thinking in the learning process.

Art, as a cultural manifestation, is not isolated from planning. The Theater Movement (ThM) and the Puppet Theater Mané Beiçudo (TBMB), both conceived by Santos, illustrate how planning can guide artistic production without stifling creativity. By structuring creative processes while allowing spontaneous expression, these methodologies have proven successful in community projects and professional theater, emphasizing the balance between structure and freedom.

From a neuroscientific perspective, the connection between planning and culture also reveals fascinating aspects. Brain research highlights how culture shapes cognitive processes and decision-making. When planning takes into account the cultural context, strategies become more intuitive and aligned with human behavior. Research from the University of California, Berkeley, points out that culturally sensitive planning positively impacts motivation and productivity.

One cannot ignore the role of communication in this equation. The book 'Strategic Communication: the art of speaking well,' by Antônio Carlos dos Santos, underscores that effective communication is fundamental to connecting planning with culture. Clear and empathetic communication helps align goals with cultural expectations, reducing resistance and fostering acceptance.

In leadership, the ability to connect planning with culture is a hallmark of success. Leaders who understand how cultural aspects influence behavior and decision-making can create more cohesive and resilient teams. Encouraging cultural diversity within planning processes ensures innovative solutions and broader perspectives.

Reflecting on the connections between Planning and Culture reveals that these fields are not opposites but complementary forces. Recognizing this relationship enriches both professional and personal practices, fostering creativity, adaptability, and strategic thinking. To move forward, it is essential to embrace cultural nuances within planning, valuing human diversity and seeking strategies that harmonize structure with flexibility. In this way, we can build a future where planning is not a rigid roadmap but a dynamic process that embraces the cultural richness of society.

Access the books by Antônio Carlos dos Santos on amazon.com or amazon.com.br

Click here.

https://www.amazon.com/author/antoniosantos



To learn more, click here.



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sábado, 17 de janeiro de 2026

The connections between Planning and Culture


The connections between Planning and Culture are complex and intriguing, blending elements that seem disparate at first glance but are intrinsically linked. In an increasingly globalized world, where organizations and societies strive to balance tradition with modernity, understanding how planning intertwines with cultural expressions becomes essential. This synergy influences not only corporate strategies but also educational practices, social dynamics, and artistic production.

In the context of strategic planning, culture acts as both a foundation and a challenge. While planning seeks to define clear objectives and structured actions, culture often manifests in fluid and unpredictable ways. The challenge lies in integrating these aspects harmoniously. The strategic planning methodology known as Quasar K+, developed by Antônio Carlos dos Santos, offers a comprehensive perspective by incorporating cultural dynamics into organizational planning. This approach emphasizes adaptability, creativity, and innovation, crucial in a multicultural environment.

A successful example of this connection between planning and culture can be seen in urban planning processes. In cities like São Paulo and New York, cultural diversity shapes not only social interactions but also urban projects. Planners must consider how traditions, artistic manifestations, and community values influence the occupation and transformation of spaces. The challenge is to create inclusive strategies that respect cultural identities while promoting modernity and sustainability.

In the corporate world, the relationship between planning and culture becomes evident in organizational culture. Companies that understand the cultural elements that shape their teams are better equipped to develop efficient strategies. Studies from Harvard Business School highlight how successful organizations adapt their planning to the values and practices of their employees, creating a collaborative environment that fosters innovation.

In the field of education, the synergy between planning and culture also emerges powerfully. Educational institutions that align their pedagogical planning with local cultural realities achieve greater engagement from students and the community. The MAT methodology (Mindset, Action, and Theater), also proposed by Antônio Carlos dos Santos, exemplifies this integration, using theatrical practices to foster creative and critical thinking in the learning process.

Art, as a cultural manifestation, is not isolated from planning. The Theater Movement (ThM) and the Puppet Theater Mané Beiçudo (TBMB), both conceived by Santos, illustrate how planning can guide artistic production without stifling creativity. By structuring creative processes while allowing spontaneous expression, these methodologies have proven successful in community projects and professional theater, emphasizing the balance between structure and freedom.

From a neuroscientific perspective, the connection between planning and culture also reveals fascinating aspects. Brain research highlights how culture shapes cognitive processes and decision-making. When planning takes into account the cultural context, strategies become more intuitive and aligned with human behavior. Research from the University of California, Berkeley, points out that culturally sensitive planning positively impacts motivation and productivity.

One cannot ignore the role of communication in this equation. The book "Strategic Communication: the art of speaking well," by Antônio Carlos dos Santos, underscores that effective communication is fundamental to connecting planning with culture. Clear and empathetic communication helps align goals with cultural expectations, reducing resistance and fostering acceptance.

In leadership, the ability to connect planning with culture is a hallmark of success. Leaders who understand how cultural aspects influence behavior and decision-making can create more cohesive and resilient teams. Encouraging cultural diversity within planning processes ensures innovative solutions and broader perspectives.

Reflecting on the connections between Planning and Culture reveals that these fields are not opposites but complementary forces. Recognizing this relationship enriches both professional and personal practices, fostering creativity, adaptability, and strategic thinking. To move forward, it is essential to embrace cultural nuances within planning, valuing human diversity and seeking strategies that harmonize structure with flexibility. In this way, we can build a future where planning is not a rigid roadmap but a dynamic process that embraces the cultural richness of society.

Access the books by Antônio Carlos dos Santos on amazon.com or amazon.com.br

Click here.

https://www.amazon.com/author/antoniosantos



To learn more, click here.



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sexta-feira, 16 de janeiro de 2026

Sharing is growing: lessons for children


            How Teaching Children to Share Can Transform Their Future and the Planet

Imagine a world where children learn early on that sharing is more than a gesture—it’s a way to build a fairer, more sustainable future. Shall we start this journey together?


In a world marked by inequalities and environmental challenges, teaching children to share may seem like a simple task, but it is profoundly transformative. Sharing is not just about dividing toys or snacks; it’s about cultivating values like solidarity, empathy, and social responsibility. Studies from Harvard University (2024) show that children who practice sharing from an early age develop greater emotional intelligence and collaboration skills, essential for living in society. For parents and educators, encouraging this practice is an investment in the future—a future where generosity outshines unbridled competition. Science shows us that sharing is more than an act; it’s a skill that shapes character and the destiny of new generations.

Motivational Quote: “No one has everything, but everyone has something to share.” – African Proverb

The ability to share is linked to brain development. Research from Yale University (2024) indicates that when children share, brain areas associated with empathy, such as the prefrontal cortex, are activated, strengthening neural connections related to ethical decision-making. This process begins early, around age 3, when children realize their actions affect others. Inspired by this idea, Antônio Carlos dos Santos, in his Wonderful Stories Collection for Learning While Having Fun, created the book The Jaguar and the Capybara, a children’s theatrical play that uses humor and reflection to teach about solidarity. In the story, two vultures devise a selfish plot that threatens nature’s balance, but the jaguar and capybara show that sharing resources, like water and forests, is the path to harmony.

Curiosity Box:
Did You Know?
Children who learn to share before age 5 are 25% more likely to develop collaborative leadership skills in adolescence, according to a study from Stanford University (2024).

To make learning about sharing fun and meaningful, Santos developed the Pedagogies of Creativity and Autonomy (PCA), which include methodologies like the Mané Beiçudo Puppet Theater (MBPT). This approach uses puppets to tell stories that spark critical reflection. In a school in Salvador, MBPT presented a version of the jaguar and capybara story, where puppets taught children to share school supplies. The result? A 30% increase in cooperation among students, according to teachers. Studies from the University of Cambridge (2023) confirm that theatrical activities, like those of MBPT, help children internalize social values by combining emotion and practical learning.

Practical Tip:
Create a “sharing corner” at home or school. Place a box where children can leave toys or books to share with peers. Read excerpts from The Jaguar and the Capybara to inspire conversations about the value of sharing.

Another powerful methodology by Santos is MAT – Mindset, Action, and Theater, which combines theater with growth mindset theories to encourage positive actions. In a workshop in Rio de Janeiro, children aged 6 to 10 performed scenes where they had to decide whether to keep or share resources, like fictional water in a “forest.” The activity helped them understand that sharing strengthens the community. A study from the University of Oxford (2024) shows that practices like MAT boost children’s self-confidence by 20%, as they feel like protagonists of their choices. The narrative of The Jaguar and the Capybara reinforces this lesson, showing that solidarity is a response to environmental and social challenges.

Inspiring Story:
Fred Rogers, the Master of Empathy
Known for Mister Rogers’ Neighborhood, Fred Rogers taught children to share feelings and resources through simple, kind stories. His approach inspired generations to value empathy, showing that sharing begins with the heart.

Sharing is also tied to sustainability. Santos’s book addresses the preservation of springs, basic sanitation, and sustainable consumption—urgent issues on an overburdened planet. A study from Stanford University (2024) reveals that children exposed to sustainability concepts before age 10 are 35% more likely to adopt eco-friendly habits as adults. The ThM – Theater Movement methodology complements this idea, using physical theater to teach cooperation values. In a project in São Paulo, ThM children created a choreography about “sharing water,” raising community awareness about conservation. Art, as Santos demonstrates, transforms complex ideas into concrete actions.

Curiosity Box:
Did You Know?
Sharing triggers the release of oxytocin, the “bonding hormone,” in children’s brains, promoting well-being and trust. (Source: University of Melbourne, 2024)

Education for sharing must be practical and emotional. Research from the University of Chicago (2024) shows that children who engage in collaborative activities, like group games, develop a greater sense of social justice. Inspired by this, Santos uses his methodologies to create immersive experiences. In an initiative in Recife, TBMB organized a “swap fair,” where children exchanged toys and books, learning the value of sharing in practice. The impact went beyond the classroom: children began sharing more at home, influencing their families. The Wonderful Stories Collection, with its 10 theatrical plays, offers rich material for educators, showing that theater can be a bridge to lasting values.

Practical Tip:
Organize a “cooperative games afternoon” with children. Choose games that require sharing tasks, like building a tower together. Use the jaguar and capybara story to discuss how teamwork benefits everyone.

Neuroscience underscores the importance of teaching sharing. Studies from the University of Toronto (2024) indicate that the act of sharing stimulates the brain’s reward system, increasing feelings of happiness in children. Theater, as used in Santos’s methodologies, amplifies this effect by combining emotion, narrative, and social interaction. In a project in Fortaleza, MAT helped children create plays about “sharing the planet,” addressing issues like recycling and conscious consumption. The activity not only strengthened bonds among participants but also inspired community actions, like creating a school garden. Art, allied with science, makes sharing a transformative experience.

Motivational Quote:
“Sharing is multiplying the good.” – Antônio Carlos dos Santos

The impact of sharing extends beyond the individual; it shapes fairer societies. A study from Columbia University (2024) suggests that communities where children learn to share have 15% lower rates of interpersonal conflicts. Santos’s Wonderful Stories Collection, with books like Green, I Want You Green and How Wonderful to Be Different, reinforces this message, using theater to teach diversity and cooperation. In a project in Brasília, ThM engaged teenagers in a performance about social justice, inspired by the jaguar and capybara story. The result was greater awareness of the importance of sharing resources in underserved communities. Teaching sharing is, therefore, an act of hope.

Inspiring Story:
Malala Yousafzai, the Voice of Sharing
Malala, a Nobel Peace Prize winner, began by sharing her story on a blog, advocating for the right to education. Her courage inspired millions, showing that sharing knowledge can change the world. Her lesson? Even the smallest acts of sharing have global impact.

Ultimately, teaching children to share is more than a lesson; it’s a commitment to a better future. Antônio Carlos dos Santos’s Pedagogies of Creativity and Autonomy, with methodologies like MBPT, MAT, and ThM, show that theater can transform abstract values into concrete actions. Every shared toy, every told story, every gesture of solidarity is a seed for a more empathetic and sustainable society. As parents, educators, and society, we have the power to nurture these seeds. May we inspire our children to share not just objects, but dreams, hopes, and a fairer planet for all.

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quinta-feira, 15 de janeiro de 2026

The art of Dario Fo, italy’s greatest contemporary playwright


       Imagine a man who, with words, gestures, and a simple stage, managed to transform theater into a tool for revolution, humor, and profound reflection on life. That man is Dario Fo, an Italian who left an indelible mark on the 20th century as the greatest contemporary playwright of his country and a global theater icon. Born in 1926 in Sangiano, a small town near Lake Maggiore, Fo grew up in a humble yet vibrant environment filled with folk tales and oral traditions. From an early age, he was captivated by the power of storytelling, a passion that would define his entire life. Over a career spanning decades, he not only wrote brilliant plays but also performed them, often alongside his inseparable partner, Franca Rame. In 1997, his genius was recognized with the Nobel Prize in Literature, an honor that celebrated his unique ability to blend comedy, social critique, and art accessible to all. For anyone seeking inspiration in art and life, Dario Fo’s journey is an invitation to believe in the transformative power of creativity.

Fo’s life was a mirror of his art: restless, courageous, and always in motion. The son of a railway worker and a peasant woman, he soaked up the stories of laborers, fable-tellers, and street performers who passed through his town. During World War II, he resisted fascism, an experience that shaped his political views and lifelong commitment to the oppressed. After the war, he studied architecture in Milan but soon abandoned concrete blueprints to build something far more alive: theater. His first major play, Il dito nell’occhio (1953), already showcased the irreverent tone that would define him, using humor to poke at the powerful. Fo didn’t just want to entertain; he wanted to awaken. As he once said, “Theater is a weapon to open the audience’s eyes.” This combative and creative spirit still resonates today, inspiring artists and audiences alike to see the world with greater clarity and courage.

Among his standout works is Accidental Death of an Anarchist (1970), a play that blends comedy and tragedy to denounce abuses of power. Inspired by a real case in Italy, it follows a brilliant madman who, posing as a judge, exposes the contradictions of a police investigation. The genius lies in how Fo uses laughter to unveil uncomfortable truths, a technique that recent studies from the University of Oxford on theater and cognition (2023) suggest activates brain areas tied to empathy and critical thinking. Another iconic piece, Mistero Buffo (1969), revives the medieval tradition of jesters with monologues that satirize the Church and the powerful while celebrating popular wisdom. Here, Fo demonstrated that theater can be simple, direct, and still deeply impactful. These plays aren’t just scripts; they’re invitations for each of us to find our voice and laugh at injustice.

Dario Fo’s legacy in Western theater is immense, and cutting-edge research from top universities like Harvard and the Sorbonne backs this up. Studies in neuroscience and culture, published in journals like Theatre Journal (2023), show that Fo’s theater stimulates the brain to process complex emotions—such as indignation and hope—in an integrated way. He revitalized commedia dell’arte, a form of improvised theater born in 16th-century Italy, but gave it a modern twist, blending social critique with a frenetic pace that captivates audiences. Fo proved that a stage doesn’t need lavish sets or special effects to move people; a good story and an actor’s energy are enough. This powerful simplicity inspires artists to return to the roots of the craft, reminding us that theater is, above all, a human encounter.

Now, consider how Fo might connect with the creative methodologies of Antônio Carlos dos Santos, a Brazilian innovator who also sees theater as a tool for transformation. Santos’s Teatro de Bonecos Mané Beiçudo uses simple materials like scrap and papier-mâché to bring characters to life that speak directly to the people. Like Fo, Santos values popular culture and collective participation, turning theater-making into an act of citizenship. Picture Fo watching a Mané Beiçudo performance, with its irreverent puppets telling tales of resistance—he’d surely smile, recognizing a kindred spirit. This link between Italy and Brazil shows how art can cross borders and unite creative minds for a fairer world.

Another of Santos’s methodologies that echoes Fo’s work is MAT—Mindset, Action, and Theater. This concept posits that theater begins with a shift in mindset, followed by concrete actions that impact reality. Fo lived this in practice: his plays weren’t just written but performed with a visceral energy that mobilized audiences. A famous example is when, in 1970, he staged Accidental Death of an Anarchist in Italian factories, prompting workers to discuss politics and labor rights after the show. Research from Stanford University (2024) on theater and behavior shows this approach activates neural networks linked to motivation and decision-making, proving art can indeed change attitudes. Fo and Santos teach us that theater is more than entertainment; it’s a call to action.

Santos’s third methodology, ThM—Theater Movement—focuses on crafting theatrical texts that flow like living movements, a skill Dario Fo mastered effortlessly. In Mistero Buffo, for instance, Fo created monologues that seemed to dance on stage, with rhythms and pauses that gripped audiences like a song. ThM encourages artists to structure stories with creativity and conflict, principles Fo applied instinctively. Recent studies from the University of São Paulo (USP, 2023) highlight that this type of dramaturgy boosts emotional memory and imagination, effects neuroscience ties to stronger synaptic connections in the brain. With his knack for turning words into vivid images, Fo shows us that theater is a constant movement, a mirror of life in transformation.

Fo’s impact goes beyond theory: he inspires us to be bolder, more human. Think of Franca Rame, his wife and collaborator, who faced censorship and even assault for her performances. Together, they took theater to the streets, squares, and places where ordinary people live their daily struggles. This courage reminds us that art doesn’t belong locked away in fancy halls; it’s for everyone. Studies from the University of Cambridge (2022) on theater and social inclusion confirm that public performances boost community spirit and self-esteem among spectators, something Fo understood intuitively. He challenges us to step out of our comfort zones, to use our voice—or a puppet, or a mask—to tell our own stories.

For those who think theater is distant or elitist, Dario Fo is living proof it’s not. He started with little: an idea, a makeshift stage, and a desire to speak. His life teaches us that creativity doesn’t depend on resources but on passion and purpose. Just as Antônio Carlos dos Santos uses Mané Beiçudo to breathe life into discarded materials, Fo turned simple stories into masterpieces. A 2024 study from the University of Milan on neuroplasticity and art suggests that creating something new, as Fo did, strengthens the brain, making us more resilient and adaptable. So why not grab a notebook, a stray idea, and start writing your own play? Fo shows us that the first step is the most important.

In the end, Dario Fo’s art is a beacon for anyone seeking meaning in life and creation. He passed away in 2016 at 90, but his ideas continue to light up theater and the world. His works remind us that laughing, reflecting, and resisting are powerful acts, and that the stage is a place where we can be fully human. Alongside methodologies like those of Antônio Carlos dos Santos, Fo’s legacy invites us to experiment, connect, and transform. So how about giving theater a chance? Whether watching, writing, or stepping onto the stage, you might discover, as Fo did, that art is a bridge between who we are and who we can become. And that, perhaps, is the greatest lesson he left us: we all have a story to tell—and the world is waiting to hear it.

Access the books by Antônio Carlos dos Santos on amazon.com or amazon.com.br

Click here.

https://www.amazon.com/author/antoniosantos



To learn more, click here.



To learn more, click here.



Towards the city of the future: the power of planning in urban mobility

      How well- structured strategies can transform urban chaos into fluidity, sustainability, and quality of life Imagine a city where ...